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Stieg Hedlund | |
Born | 1965 (age 55–56) |
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Occupation | Game designer, game artist, writer |
Edge of Darkness is pretty cliche and boring at times. But Mel Gibson's performance, well written dialogue and story is enough to be keep you engrossed. Mr N Super Reviewer. Financial analysis of Edge of Darkness (2010) including budget, domestic and international box office gross, DVD and Blu-ray sales reports, total earnings and profitability. Trivia In the miniseries, the music was done by Eric Clapton and the late Michael Kamen, who composed the music for the Lethal Weapon film franchise, starring Mel Gibson. In this film, Howard Shore composed the music. During the arrest of Lowe, suspect in shooting Emma, he allegedly jumps out the window and falls 6 floors. Craven manages to get a name out of him at the hospital.
Stieg Hedlund (born 1965) is a computer and video gamedesigner, artist, and writer with over 25 years of experience who has worked on more than 30 games in the video game industry.[1] Although he is probably best known for his work in action RPGs, he has also worked on games in each of the real-time strategy, tactical shooter, beat-'em-up and action-adventure genres on the PC and almost every dedicated game console. He has a professed interest in conlangery and linguistics.[2]
Design philosophy[edit]
Despite his lengthy resume, Hedlund is not known for having the 'rock-star attitude' common among well-known designers in the industry.[3] Hedlund has said that he is 'more interested in how the audience feels' about his games than in the 'accolades of (his) fellow game designers'.[4] He has further stated in interviews that he believes in a collaborative environment and that his door is 'always open to anyone who had a design idea'.[5]
Experience[edit]
Raised in the Chicago area, Hedlund contributed to and co-ran a small but successful minicomic during high school. He became a pen & paper RPG designer 'by the age of 16' after exploring 'scenario creation, rule variants, balancing' and the like in Dungeons & Dragons.[2]
Hedlund began his career in the electronic entertainment field in 1987 at Infinity Software, a small publisher of games for the Macintosh, Commodore 64 and Amiga.
Hedlund moved on to Japanese publisher Koei in 1990, which had established a North American subsidiary, Koei Corporation, in California two years earlier. Working at Koei both in Northern California and Japan, he was the lead designer for and/or originated a number of games including Liberty or Death, Celtic Tales: Balor of the Evil Eye, Gemfire and Saiyuki: Journey West. In 1995, shortly after Hedlund left the company, the subsidiary ceased its game development efforts.[6]
After working on an unreleased Lord of the Rings-based title for Electronic Arts in the early '90s, Hedlund interviewed with Condor Software (the future Blizzard North), then working on Justice League. According to Hedlund the game concept 'wasn't very appealing to me',[7] leading to his instead going to work for the Sega Technical Institute in 1994, where, as an artist and game designer, he worked on titles like Comix Zone,[8]The Ooze[9] and Sonic X-treme.[10] Hedlund has stated that in addition to his gaming experience, his experience 'living and working in Japan' was another reason he was hired on at STI,[11] since STI collaborated and integrated more game professionals from Japan than any of Sega’s other studios.
In 1996, three years after he first interviewed with the company, Hedlund ran into the three founders of Condor (STI and Condor were closely located on the eastern edge of the SF peninsula). He was impressed by the potential of their latest game, Diablo, and immediately joined the team taking on the lead design role. Three months before the release of Diablo, Blizzard acquired Condor and renamed the company Blizzard North.[7]Diablo would go on to become one of the most highly rated games of 1996.
In the wake of Diablo's success, Hedlund designed the record-breaking Diablo II, which was released in 2000. The title went on to become the second-best-sellingPC game of all time, the number one-selling RPG on the PC with over 15 million units sold and, according to the 2003 edition of the Guinness Book of World Records, the fastest selling computer game ever sold, with more than 1 million units sold in the first two weeks of availability.[12] According to the 2008 Guinness Gamer's Edition, the title still holds the record.[13]Diablo II was also the recipient of many of the game industry's most prestigious awards, including the 2001 Academy of Interactive Arts & Sciences Game of the Year Award.[14]
While at Blizzard, he also participated in the design of both StarCraft and the Diablo II: Lord of Destructionexpansion pack. Starcraft was the best-selling PC game of 1998 and received numerous Game of the Year awards.[15] A decade later it remains one of the most popular online games in the world,[16] and was even named “the Greatest Game of All Time” by GameSpot.[17]Diablo II: LOD was released in 2001, and helped to “reinforce the staying power of an already legendary RPG”.[18] It too received numerous awards, including several for Best Expansion Pack of the Year, and tied with Baldur’s Gate II for Best RPG of the Year.[19]
On April 17, 2000, Hedlund announced that he would be leaving Blizzard North 'as soon as his responsibilities for Diablo II (had) been fulfilled' in order to start a new game-development firm called Full-On Amusement Company[20] with business partners, programmers,and artists from Virgin Interactive, Sega, Sony Computer Entertainment, Electronic Arts, and Maxis. During this time, Hedlund was also named as the designer to collaborate with five-time Academy Award nominated director David Lynch on his unreleased Woodcutters from Fiery Ships game project.[21]
Later in 2000, Hedlund joined Konami as the company's Creative Director and worked on titles such as the iconic Frogger and Contra series. In 2002, he went to work as Creative Director for Ubisoft/ Red Storm Entertainment[22] on games such as Tom Clancy's Ghost Recon 2 and Tom Clancy's Rainbow Six: Lockdown, as well as contributing to Tom Clancy's Ghost Recon: Advanced Warfighter. He also spent some time with Oddworld Inhabitants doing foundational work for Oddworld: Stranger's Wrath.
Beginning in August 2004, Hedlund signed on with Perpetual Entertainment as Design Director on the Gods & Heroes: Rome Rising MMORPG,[23] officially announced in March 2005. The game was shown at E3 2006 and received several 'Best of Show' awards, with particular notice being paid to its innovative 'minion' system.[24] Although it was well into “content complete” beta testing by September 2007,[25] the technology behind the game could not be stabilized, and after numerous delays and several rounds of layoffs[26] the game was 'indefinitely suspended' in mid-October 2007 even as further stability testing was underway.[27] Hedlund left the company during its ensuing dissolution in the months that followed. Eventually the game got published in June 2011.
Current projects[edit]
After leaving Perpetual, Hedlund founded Turpitude[28][29] an independent game development firm, along with partner Natalie Fay. As the Chief Creative Officer for Turpitude Design, Stieg oversees the team of game designers and producers working on the company's projects.
Recognitions and awards[edit]
IGN named Hedlund as being one of the top 100 game creators of all time (number 62).[30] His games have an average rating of 88%, and have received numerous awards including:
Diablo: GameSpot's Game of the Year Award, and #1 spot of all PC games.[31]
StarCraft: GameSpot Greatest Games of All Time,[32] Academy of Interactive Arts & Sciences Game of the Year,[33] Computer Gaming World Game of the Year,[33] PC PowerPlay Game of the Year,[33] PC Gamer Real-time strategy Game of the Year,[33] Games Domain Strategy Game of the Year,[33] GameInformer 35th Greatest Game of All Time.
Diablo II: Guinness Book of World Records Fastest Selling Computer Game Ever Sold,[34] Interactive Achievement Awards Computer Game of the Year,[35] Interactive Achievement Awards Computer Role Playing Game of the Year,[35] Interactive Achievement Awards Game of the Year,[35] PC Gamer #16 '50 Best Games of All Time',[36] PC Gamer #82 'Top 100 Games', Computer and Video Games #25,[37] 'The 101 Best PC Games Ever',[38] GamePro #11 'The 32 Best PC Games',[39] Destructoid #7 'Top Video Games of the Decade'.[40]
References[edit]
- ^'Stieg Hedlund – Developer BIO'. MobyGames.
- ^ ab'Gamasutra Design Language: Designer Derivations'.
- ^'Gamersinfo Interview with Stieg Hedlund'. Archived from the original on April 20, 2008.
- ^'IGN Gods and Heroes Interview'.
- ^'The Escapist: Exodus'.
- ^'Gamerzneeds Koei profile'. Archived from the original on July 23, 2011.
- ^ ab'The Escapist: Secret Sauce: The Rise of Blizzard'.
- ^http://www.allgame.com/game.php?id=1552&tab=credits
- ^http://www.allgame.com/game.php?id=7575&tab=credits
- ^Sonic X-treme
- ^'Sega16 Interview: Stieg Hedlund'. Archived from the original on January 14, 2010.
- ^'Gamefaqs.com: One of the Best'.
- ^Guinness 2008 Gamer's Edition WebsiteArchived December 31, 2011, at the Wayback Machine
- ^'Diablo II Wins Game of the Year Award'.
- ^'Blizzard Entertainment: Awards'. Archived from the original on July 12, 2009.
- ^'Sex, Fame and PC Baangs: How the Orient plays host to PC gaming's strangest culture'. Archived from the original on February 2, 2006.
- ^'The Standard by Which All Real-Time Strategy Games Are Judged'.
- ^'MetaCritic page for Diablo II:LOD'.
- ^'Wargamer: 2001 Best of the Year Awards'. Archived from the original on May 9, 2008.
- ^'Diablo II Designer to Leave Blizzard'.
- ^'Lynchnet Unproduced Works'.
- ^'Archive of Red Storm Management page'. Archived from the original on April 5, 2004.
- ^'Gamespot Interview with Stieg Hedlund'.
- ^'Ten Ton Hammer: Gods, Heroes, and... Minions?'. Archived from the original on May 25, 2006.
- ^'Warcry Interview with Stieg Hedlund'. WarCry.com. Archived from the original on September 6, 2008. Retrieved May 22, 2008.
- ^'Gamasutra: Perpetual Announces Gods and Heroes Delay, Layoffs'.
- ^'Gods & Heroes: Rome Rising development on indefinite hold'. Archived from the original on October 13, 2007.
- ^Turpitude
- ^'Austin GDC 2008 Speaker List'.[permanent dead link]
- ^'Top 100 game creators – Stieg Hedlund'. Archived from the original on April 3, 2012. Retrieved August 8, 2012.
- ^'List of all PC games, ordered by score'. GameSpot. Retrieved June 17, 2011.
- ^'The Greatest Games of All Time'. GameSpot. Archived from the original on July 5, 2006. Retrieved October 8, 2011.
- ^ abcde'Developer Awards'. Blizzard Entertainment. January 1, 2006. Archived from the original on August 14, 2006. Retrieved August 19, 2006.
- ^'Untold Legends: Brotherhood of the Blade'. Official U. S. PlayStation Magazine. Archived from the original on July 17, 2007. Retrieved September 30, 2016.
- ^ abc'Diablo II: Lord of Destruction Shatters Sales Records Worldwide With Over 1 Million Copies Sold' (Press release). August 29, 2001. Retrieved June 11, 2008.
- ^PC Gamer, April 2005
- ^'PC Feature: PC Gamer's Best 100: 100–51'. ComputerAndVideoGames.com. August 7, 2007. Retrieved September 15, 2010.
- ^'Feature: The 101 best PC games ever, part four'. ComputerAndVideoGames.com. May 20, 2007. Retrieved September 15, 2010.
- ^Tennant, Dan (September 30, 2008). 'The 32 Best PC Games, page 2, Feature Story from'. GamePro. Archived from the original on April 20, 2010. Retrieved September 15, 2010.
- ^'The Top 50 Videogames of the Decade (#10–1)'. Destructoid. March 16, 2006. Archived from the original on November 28, 2014. Retrieved September 15, 2010.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Stieg_Hedlund&oldid=997829298'
Edge of Darkness | |
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Directed by | Lewis Milestone |
Produced by | Henry Blanke |
Screenplay by | Robert Rossen |
Based on | the novel The Edge of Darkness by William Woods |
Starring | |
Music by | Franz Waxman |
Cinematography | Sid Hickox |
Edited by | David Weisbart |
Distributed by | Warner Bros. |
| |
119 minutes | |
Country | United States |
Language | English |
Budget | $1,653,000[2] |
Box office | $3,669,000[2] $2.3 million (US rentals)[3] |
Edge of Darkness (aka Norway in Revolt) is a 1943 World War II film directed by Lewis Milestone that features Errol Flynn, Ann Sheridan, and Walter Huston.[4] The feature is based on a script written by Robert Rossen which was adapted from the 1942 novel The Edge of Darkness by William Woods.[5]
Plot[edit]
In the Norwegian fishing village of Trollness, occupied by the Nazis, the Norwegian flag is observed flying high over the town by a passing patrol aircraft. The German troops sent to investigate discover that everyone in the village is dead, both German and Norwegian, including the German commander, Captain Koenig, in his office.
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Previously, the local doctor, Martin Stensgard (Walter Huston) and his wife (Ruth Gordon) wanted to hold on to the pretense of gracious living and ignore the occupiers. The doctor would also prefer to stay neutral, but is torn. Kaspar Torgersen (Charles Dingle), his brother-in-law, the wealthy owner of the local fish cannery, collaborates with the Nazis. The doctor's daughter, Karen (Ann Sheridan), is involved with the resistance and is in a romantic relationship with its leader Gunnar Brogge (Errol Flynn). Johann (John Beal), the doctor's son, has just returned to town having been sent down from the university but is soon influenced by his Nazi-sympathizer uncle. Karen makes it known to the townsfolk that her brother is a 'quisling'.
The key group of resistance members, headed by Gunnar and Karen, anxiously await the secret arrival of arms from an English submarine. They hide the delivery of weapons in a cellar and call upon the townsfolk to delay violence until the opportune moment. Karen, on her way to a resistance meeting, is grabbed by a German soldier and disappears, while Gunnar frantically searches the town for her. She eventually appears at the meeting, clothes torn and face bruised, indicative that she has been raped. Gunnar loses his perspective after seeing what the Germans have done to the woman he loves and begins to go crazy, ordering that the fighting begin. Karen tells him that it is still not yet the time and as he calms down, the radio (which has only been broadcasting static for a week) finally picks up Churchill's broadcast from England, giving them all hope.
Karen's father leaves the meeting and, in anger, bludgeons a German soldier to death. Captain Koenig orders the suspected resistance leaders to be shot. On the morning of their execution they are forced to dig their own graves in the town square. They hear singing and discover the townsfolk have armed themselves with the smuggled guns, grenades and other weaponry. The local pastor, who previously had called violent resistance 'murder,' opens fire from the church tower and the townsfolk follow suit. They successfully capture the port, and load the women and children onto fishing boats bound for England. At the local hotel, which has been used since the occupation as German headquarters, the remaining soldiers prepare for the oncoming attack. Gunnar, Karen, her father, and the other resistance leaders and members make their way through the forest toward the hotel. Karen's brother cries to them from the hotel that they are walking into a machine gun crossfire trap set by the commander. He is shot dead for his efforts by the Germans. After a bloody battle, the rebels eventually capture the hotel and Captain Koenig commits suicide after writing a letter to his brother.
The story then reverts to the newly arrived German troops finding the dead bodies of both Germans and Norwegians littered about the town, forest and hotel. They declare that there is no one left alive. Karen and Gunnar, up in the hills, see a German soldier taking down the Norwegian flag and replacing it with a Nazi one. Karen shoots him dead and the Nazi flag falls on his dead body. Gunnar, Karen, her father and the surviving resistance members and townsfolk take shelter in the hills as the voice of President Franklin D. Roosevelt tells his listeners to look to Norway for understanding of the war and the hope and strength of the people.
![Creditssonic Edge Of Darkness Creditssonic Edge Of Darkness](/uploads/1/2/9/4/129423978/250762297.jpg)
Cast[edit]
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Production[edit]
Original Novel[edit]
Edge of Darkness was based on the debut novel of William Woods. Warner Bros. bought the film rights in January 1942 for $30,000.[6] The novel was published on April 9, the second anniversary of the German invasion of Norway.[7]
Development[edit]
Henry Blanke was assigned to produce, Robert Rossen to write the script and Lewis Milestone to direct. Milestone later told the press:
It is twelve years now since I made All Quiet on the Western Front. That film embodied the retrospective disillusionment toward another war. In Edge of Darkness we are making a picture that has done away with disillusionment. We know the enemy we are fighting and we are facing the stern realities of the present war. The moral in Edge of Darkness is that 'united we stand, divided we fall'. That is the keystone for victory in all the democracies.[8]
'I can't think of a story about which I could be more enthusiastic,' said Blanke about Edge of Darkness.[9]
The job of writing the script was given to Robert Rossen. Milestone later said Rossen 'hit on an idiom for the dialogue that had nothing to do with Norway but derived mainly from the language he knew best - the speechways of New York's East Side. Since nobody else knew the difference the idiom worked admirably.'[10]
Casting[edit]
Ann Sheridan and Humphrey Bogart were announced as stars.[11]
Eventually Bogart dropped out and was replaced by Errol Flynn.[12][13]
The cast included Helmut Dantine who had just signed a long-term contract with Warners following his appearance in Casablanca.[14]
There were a large number of actors cast who were best known for their stage work, including Judith Anderson and Ruth Gordon.
Milestone later said 'an extremely mixed cast gave some damned good performances.'[10]
Shooting[edit]
Shooting was to begin in August 1942 but was postponed for two weeks so Errol Flynn could recuperate from bad health.[15] He was meant to do this on his yacht but Hedda Hopper reported he slipped down to Mexico City with a friend for some hunting, and that he 'hasn't wanted to do it [the film] from the first', in part because his role was relatively small. Bruce Cabot was listed as a possible replacement if Flynn did not return.[16] Warners pressured Flynn and he eventually returned for filming.[17]
(It was later reported that Flynn had signed a new contract with Warners for four films a year, one of which he was to also act as producer.[18])
Most of the film was shot in Warner Bros. studios at Burbank with some exteriors in the town of Monterey.[19] Warners rented two of the biggest piers in Monterey and a fleet of Monterey sailing boats; they lined the streets with Norwegian and Nazi flags and signs and cast several locals as extras.[8] The unit returned from Monterey on September 16 to resume studio shooting.[20]
Erskine Caldwell reportedly operated as a technical adviser on the film because he had some experience of Norway.[21]
During filming, Warners added six grave markers with the names of Nazi saboteurs recently executed in the US, for extra realism.[22] Filming ended in November.
Edge of Darkness was one of a number being made in Hollywood set in occupied Europe, others being The Commandos Strike at Dawn and The Moon is Down.[23]
Milestone later said 'Flynn kept underrating himself. If you wanted to embarrass him, all you had to do was to tell him how great he was in a scene he'd just finished playing: he'd blush like a young girl and muttering 'I'm not an actor' would go away somewhere and sit down.'[10]
Music[edit]
Franz Waxman did the score. He used two main pieces, the Lutheran chorale 'A Mighty Fortress is Our God' and the national hymn of Norway. According to one review, 'the rest is frankly color orchestration and the necessary filling in. The result is a magnificent build up to an overwhelming emotional climax.'[24]
Reception[edit]
Contemporary reviews were positive. Bosley Crowther of The New York Times called the film 'melodrama [but] strong melodrama, to be sure.'[25]Variety described it as 'a dramatic, tense, emotion-stirring story of the ravaging of Norway, superbly acted by a fine cast and firmly directed by Lewis Milestone.'[26]Harrison's Reports called it 'Excellent! ... Lewis Milestone's direction is masterful, and the performances, from the stars to the bit players, are superb.'[27] David Lardner of The New Yorker compared the film to The Moon Is Down, writing that both were worth seeing but that Edge of Darkness was slightly better due to rounder characterizations.[28]Filmink magazine called it 'definitely Errol's most communist (ish) movie.'[29]
The film was one of the five most requested movies by the US Army in April 1943 - the others being My Friend Flicka, Hit Parade of 1943, Flight for Freedom and Hello, Frisco, Hello.[30] It was also given special screenings to the Sons of Norway organization.[31]
Edge of Darkness was banned in Buenos Aires in 1943 because of its anti-Nazi stance.[32]
Flynn was to follow the movie with To the Last Man (which became Northern Pursuit) and Captain Horatio Hornblower (which was postponed and then made with Gregory Peck).[33]
Box Office[edit]
According to Warner Bros. records, the film earned $2,039,000 domestically and $1,630,000 foreign.[2]
References[edit]
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Notes[edit]
- ^King 1999, p. 676.
- ^ abcWarner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 23 DOI: 10.1080/01439689508604551
- ^'Top Grossers of the Season.'Variety, January 5, 1944, p. 54.
- ^Variety film review; March 24, 1943.
- ^Beck, Sanderson. 'Review: 'Edge of Darkness (1943)'.'Movie Mirrors, 2005. Retrieved: August 22, 2106.
- ^'Of local origin.' The New York Times, January 24, 1942, p. 13.
- ^'Books: Authors', The New York Times, March 28, 1942, p. 15.
- ^ abGoodman, Ezra. 'Hollywood: Norway to Monterey.' The New York Times, September 27, 1942, p. X3.
- ^'A producer candidly defines his function: Henry Blanke looks upon the producer as a coordinator who can also think.' The New York Times, April 4, 1943, p. X4.
- ^ abcHigham, Charles; Greenberg, Joel (1971). The celluloid muse; Hollywood directors speak. Regnery. p. 184.
- ^'Screen news here and in Hollywood: Ann Sheridan and Humphrey Bogart ... by telephone to The New York Times.' The New York Times, May 7, 1942, p. 23.
- ^Schallert, Edwin. 'Drama: 'Edge of Darkness' to team Sheridan, Flynn.' Los Angeles Times, May 29, 1942, p. 8.
- ^'Fred Astaire will appear in 'Look Out Below'; Role for Edward Ellis: two films arrive today,'Syncopation' due at Palace, 'My Favorite Spy' will open at Loew's State.' The New York Times, May 28, 1942, p. 13.
- ^'Screen news here and in Hollywood: Vera Zorina to appear in 'The Hour Before Dawn,' a story by Somerset Maugham.' The New York Times, August 5, 1942, p. 16.
- ^Schallert, Edwin. 'Drama: Hepburn stage play commands high price.' Los Angeles Times, August 27, 1942, p. 22.
- ^Hopper, Hedda. 'Out of the 'Darkness!'.' The Washington Post, August 21, 1942, p. 15.
- ^Hopper, Hedda. 'Woods Hide the Trees!' The Washington Post, August 29, 1942, p. B10.
- ^'Of local origin.' The New York Times, September 30, 1942, p. 29.
- ^Thomas et al. 1969, p. 129.
- ^Schallert, Edwin. 'Drama: Cesar Romero to play 'Coney Island' threat.' Los Angeles Times, September 15, 1942, p. 13.
- ^Hopper, Hedda. 'Looking at Hollywood.' Chicago Daily Tribune, September 10, 1942, p. 24.
- ^Pryor, Thomas M. 'Film news and comment: Vichy stays ban on American pictures.' The New York Times, November 8, 1942, p. X4.
- ^Hopper, Hedda. 'Cemented' great and near-great.' The Washington Post, August 18, 1942, p. 14.
- ^Jones, Isabel Morse. 'Music and Musicians: Music for Fox film sets, acquires individuality; New cinema scores being promoted on basis of psychological analysis.' Los Angeles Times, March 28, 1943, p. C6.
- ^Crowther, Bosley. 'Movie Review: 'Edge of Darkness'.'The New York Times, April 10, 1943.
- ^'Film Reviews.' Variety, March 24, 1943, p. 20.
- ^'Edge of Darkness' with Errol Flynn, Ann Sheridan and Walter Huston.' Harrison's Reports, March 27, 1943, p. 50.
- ^Lardner, David. 'The Current Cinema.' The New Yorker (F-R Publishing Corp.), April 17, 1943, p. 40.
- ^Vagg, Stephen (November 17, 2019). 'The Films of Errol Flynn: Part 3 The War Years'. Filmink.
- ^'If It's 'Escape' you want, it's just around corner.' The Washington Post, May 12, 1943, p. 16.
- ^'Norway's patriots will see 'Darkness'.' The Washington Post, July 10, 1943, p. B8.
- ^'Anti-Nazi film barred.' The New York Times, September 26, 1943, p. 39.
- ^Schallert, Edwin. 'Drama: 'Christopher Bean' to costar Woolley, Gish.' Los Angeles Times, September 19, 1942, p. A8.
Bibliography[edit]
- Hanson, Patricia King, ed. American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1941-1950. Berkeley, California: University of California Press, 1999. ISBN0-520-21521-4.
- Thomas, Tony, Rudy Behlmer and Clifford McCarty. The Films of Errol Flynn. New York: Citadel Press, 1969. ISBN978-0-80650-237-3.
- Woods, William Howard. Edge of Darkness: A Novel of Occupied Norway. New York: J.B. Lippincott Company. 1942.
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External links[edit]
Wikimedia Commons has media related to Edge of Darkness (1943 film). |
Creditssonic Edge Of Darkness Download
- Edge of Darkness at the TCM Movie Database
- Edge of Darkness at the American Film Institute Catalog
- Edge of Darkness on IMDb
- Edge of Darkness at AllMovie
- Review of film at Variety
- Edge of Darkness film scene on YouTube
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